Smugly perched on a throne of industrial detritus, the deity of industrial toxic masculinity presides over a gleefully demented award ceremony wherein a lucky few individuals are venerated for their dedication to a work culture that only serves to injure, exploit and dehumanize them.

Presented February 2020 by The Royal Conservatoire of Scotland, Sissy Fuss is a persona-based performance exploring the aesthetics and malignance of a male-dominated industrial labour environment.

Photos by Julia Bauer

Smugly perched on a throne of industrial detritus, the deity of industrial toxic masculinity presides over a gleefully demented award ceremony wherein a lucky few individuals are venerated for their dedication to a work culture that only serves to injure, exploit and dehumanize them.

Presented February 2020 by The Royal Conservatoire of Scotland, Sissy Fuss is a persona-based performance exploring the aesthetics and malignance of a male-dominated industrial labour environment.

Photos by Julia Bauer

Smugly perched on a throne of industrial detritus, the deity of industrial toxic masculinity presides over a gleefully demented award ceremony wherein a lucky few individuals are venerated for their dedication to a work culture that only serves to injure, exploit and dehumanize them.

Presented February 2020 by The Royal Conservatoire of Scotland, Sissy Fuss is a persona-based performance exploring the aesthetics and malignance of a male-dominated industrial labour environment.

Photos by Julia Bauer